works

(2024) Coro dos que não desistem nunca
Opera: [soprano, mezzo-soprano, baritone, and chamber orchestra]
Gustavo Bonin (composition) and Artur Kon (libretto)

(2022) corpo_camadas
Multimedia Performance: [three violins, clarinet, percussion, voices, electronics, lighting, video artist]

(2021) O vazio que atravessa
Film Score: [original soundtrack]
For the film by Fernando Moreira

(2021) Limites e limiares
Audiovisual: [two synchronized videos, with haptic feedback on mobile]
Coletivo Capim Novo

(2021) Na sala de jantar
Audiovisual: [audiovisual]
With Camille Laurent and Micael Antunes

(2021) Caos Koan
Audiovisual Poetry: [solo voice and video]
Gustavo Bonin (composition) and Júlio Mendonça (poem)

(2021) poemartituras I e II
Imagetic Scores: [two violins, clarinet, bassoon, percussion, and video]

(2020) Eternidade
[flute, alto saxophone, and oboe]

(2020) Catedral
Chamber Music: [vibraphone and three triangles]

(2019) É uma love story e é sobre um acidente
Poetic-Musical Performance: [reciting voice, voice, clarinet, cello, guitar, piano, percussion, and lighting]
With poet Marília Garcia and Coletivo Capim Novo

(2019) Eneida Sonora (concert)
Scenic Music: [three voices, clarinet, cello, double bass, vibraphone, guitar, piano, and live electronics]
Coletivo Capim Novo, after Adriano Aprigliano’s translation of Book VI of Virgil’s Aeneid

(2019) Eneida Sonora (electroacoustic pieces)
Electroacoustic: [four electroacoustic pieces]
After Adriano Aprigliano’s translation of Book VI of Virgil’s Aeneid

(2019) Praia
Scenic Music: [cello]

(2019) Round UP!
Scenic Music: [voice, trumpet, flute, saxophone, cello, percussion, piano, and live electronics]
Residency with Laura Bowler

(2019) MiniReVariação
Scenic Music: [violin]
After Tartini’s Variation 36 (L’Arte del Arco)

(2019) Moldura VIII
Scenic Music: [oboe]
After the poem “Metamorfose” by Paulo Leminski

(2018) De Amersfoort
Electroacoustic Installation: [electroacoustics and reactive light]

(2017) CTPS (Carteira de Trabalho e Previdência Social)
Scenic-Musical Show: [clarinet, nine percussionists, conductor-actor, singer, lighting designer, and programmer]

(2016) Planos IV (golpe)
Scenic Music: [choir and overhead camera]

(2016) Planos III (ciranda)
Scenic Music: [wind orchestra and two conductors]

(2016) Planos I
Scenic Music: [voice, bass flute, bass trombone, and cello]
After Augusto de Campos’s concrete poem “CorSom”

(2016) Moldura VII (also Planos II)
Scenic Music: [alto saxophone]

(2016) Moldura VI
Scenic Music: [double bass]

(2016) Desodorante de esquina
Scenic Music: [two soprano saxophones, two trumpets, two trombones, and performer]

(2016) Cena absurdo
Recording: [voice and electronics]
With Juliana Amaral, Micael Antunes, and Pedro Marques (poems)

(2016) Trevas
Scenic Music: [two violins and cello]

(2016) Margens Plácidas
Scenic Music: [flute, cello, piano, and percussion]
After the poem “Temerosas Decimais” by Pedro Marques

(2015) Famigerado
Scenic Music: [flute, clarinet, guitar, and vibraphone]
After the short story by Guimarães Rosa

(2015) H1N1
Scenic Music: [soprano saxophone]

(2015) Moldura V
Scenic Music: [bass clarinet and bass trombone]
After an interview with José Saramago

(2015) Moldura IV
Scenic Music: [piccolo]
After the “Bachianas nº5” by Villa-Lobos

(2015) Moldura III
Scenic Music: [bass clarinet]

(2015) Moldura II
Scenic Music: [clarinet, soprano saxophone, and dancer]

(2015) Moldura I
Scenic Music: [clarinet]

(2014) Tafetá
Scenic Music: [viola]

(2014) Meu tio Iauaretê
Scenic Music: [four flutes and vibraphone]
After the short story by Guimarães Rosa

(2014) Avoa
Scenic Music: [flute]
After the poem “Avoa” by Manoel de Barros

In progress

Ilê Ayê (since 2018)
Scenic Music: [clarinet, piano, and four speakers]

Amor (since 2019)
Chamber Music: [two violins]

Pêndulo de algodão (since 2022)
Sound Sculpture: [continuous installation]